1.0Centro de Arte Hortensia Herrerohttps://www.cahh.es/en/rich600338<blockquote class="wp-embedded-content" data-secret="BvA3uJ2qQP"><a href="https://www.cahh.es/en/artists/ivan-navarro/">Iván Navarro</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.cahh.es/en/artists/ivan-navarro/embed/#?secret=BvA3uJ2qQP" width="600" height="338" title="“Iván Navarro” — Centro de Arte Hortensia Herrero" data-secret="BvA3uJ2qQP" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.cahh.es/wp-includes/js/wp-embed.min.js </script> The main working material of this Chilean artist, who grew up during the dictatorship of Augusto Pinochet, is something as simple and commonplace in almost every home as electric light. In that period, power cuts were commonly used to control the population during curfew. This was the origin of Navarro’s interest in working with neon […]https://www.cahh.es/wp-content/uploads/2023/09/logo-vertical-twitter.png800200